1
00:04:50,400 --> 00:04:54,900
And I think that Andalusian artists transmute 
that energy

2
00:04:55,000 --> 00:04:59,800
and project it onto the world so that they 
know us for who we really are.

3
00:05:29,800 --> 00:05:35,700
For me, the lives of others, the essence 
of others, the history of others.

4
00:05:35,800 --> 00:05:38,200
An animal that flies.

5
00:05:38,300 --> 00:05:46,000
Today I spent a long time watching birds 
flying from about 70 floors up.

6
00:05:46,100 --> 00:05:48,400
Nature inspires me a lot.

7
00:05:48,500 --> 00:05:54,500
I'm inspired a lot by the truth behind all 
things and behind all people.

8
00:05:54,600 --> 00:05:59,400
That essence that transcends appearance

9
00:05:59,500 --> 00:06:04,300
and what really remains when we leave.

10
00:06:04,400 --> 00:06:07,200
That is what inspires me to make music.

11
00:06:22,900 --> 00:06:26,800
Flamenco... flamenco is my root.

12
00:06:26,900 --> 00:06:29,100
Flamenco is always within me.

13
00:06:29,200 --> 00:06:34,000
Lately, I've been listening to Chaka Khan 
and Kendrick Lamar. But before singing,

14
00:06:34,100 --> 00:06:41,100
I listen to Manolo Caracol, [the song] “Granaína 
y media granaína” — [singer Manuel] Vallejo, 
[singer] La Niña de los Peines —

15
00:06:41,200 --> 00:06:46,000
who are very important artists in the history 
of flamenco.

16
00:06:46,100 --> 00:06:53,100
Flamenco is my root and all the music I learn 
are my wings.

17
00:06:53,200 --> 00:06:56,200
So what I want is for them to be connected, 
one with the other.

18
00:06:56,300 --> 00:07:06,100
It's like how I know the culture of others: 
R&B, hip hop, pop, rock, heavy metal, classical 
music — which I love.

19
00:07:06,200 --> 00:07:11,300
I want others to know my traditional music: 
which is flamenco.

20
00:07:11,400 --> 00:07:13,300
The classical music of my land.

21
00:07:13,400 --> 00:07:16,000
La history of my people.

22
00:08:20,000 --> 00:08:22,900
Andalusia is so rich

23
00:08:23,000 --> 00:08:30,000
It's so strong and it has imagery and an 
imprint so large

24
00:08:30,100 --> 00:08:31,900
that it is often not valued.

25
00:08:32,000 --> 00:08:38,000
Look, our art has become so internalized 
and associated with us...

26
00:08:38,100 --> 00:08:40,200
Federico García Lorca...Vicente Aleixandre...

27
00:08:41,200 --> 00:08:42,900
Picasso...

28
00:08:43,000 --> 00:08:45,100
Camarón de la Isla...La Niña de los Peines.

29
00:08:45,200 --> 00:08:48,500
I mean, Niña Pastori...I mean, c’mon!

30
00:08:48,600 --> 00:08:51,900
So much art per square meter.

31
00:08:52,000 --> 00:08:59,700
What happens is that many times, so much 
art that is part of everyday life and our 
normal life...

32
00:08:59,800 --> 00:09:05,400
From the outside is seen only on the surface 
and not for its depth.

33
00:09:05,500 --> 00:09:10,300
So, there are people who make the mistake 
of falling into stereotypes

34
00:09:10,400 --> 00:09:15,200
and look down upon the land of culture.

35
00:09:15,300 --> 00:09:17,300
But that's not our problem.

36
00:09:17,400 --> 00:09:20,200
I mean, what is not known is not valued.

37
00:09:20,300 --> 00:09:22,300
If they don't know us, they can't value us.

38
00:09:22,400 --> 00:09:27,400
So, what I want with my art, with my journey 
around the world,

39
00:09:27,500 --> 00:09:33,100
with my tour in the USA, is for others to 
know Andalusia for what we really are.

40
00:09:33,200 --> 00:09:38,000
and not for the stereotypes that you pointed 
out.

41
00:09:38,100 --> 00:09:41,300
What do you think?

42
00:10:20,400 --> 00:10:24,000
I think I'm getting to know the world a lot.

43
00:10:24,100 --> 00:10:28,400
Many different cultures, many incredible 
people in art.

44
00:10:28,500 --> 00:10:33,300
And I want my music to continue blending,

45
00:10:33,400 --> 00:10:35,900
to continue getting to know other cultures,

46
00:10:36,000 --> 00:10:38,800
and for it to be evident in every song.

47
00:10:38,900 --> 00:10:40,200
I dream a lot about going to Mexico.

48
00:10:40,300 --> 00:10:42,900
I dream a lot about being able to make music 
here.

49
00:10:43,000 --> 00:10:46,700
Because I composed songs when I traveled 
to Canada last year,

50
00:10:46,800 --> 00:10:54,100
I'm sure that inspiration for many new songs 
will come from this tour.

51
00:10:54,200 --> 00:11:02,200
I'm working with really cool producers from 
outside of Spain, which I can't mention right 
now.

52
00:11:02,300 --> 00:11:07,100
But I just want my music to reflect my journey

53
00:11:07,200 --> 00:11:12,600
and if I discover new countries, new cultures, 
new languages,

54
00:11:12,700 --> 00:11:17,500
new ways of understanding life, that it is 
reflected in the songs.

55
00:11:35,500 --> 00:11:40,600
Oh. There was a feeling that I couldn't express 
because the word for it didn't exist.

56
00:11:40,700 --> 00:11:44,200
It was a feeling of...

57
00:11:44,300 --> 00:11:49,100
being totally intoxicated with beauty.

58
00:11:49,200 --> 00:11:54,000
And of regaining faith in human beings.

59
00:11:54,100 --> 00:11:57,800
When I saw the Trevi Fountain, when I heard 
certain music...

60
00:11:57,900 --> 00:12:04,400
it was the immense beauty that I felt when 
I heard the story of, for example,

61
00:12:04,500 --> 00:12:09,300
I met a couple — two older gentlemen —

62
00:12:09,400 --> 00:12:14,200
who are gay and they were finally able to 
live their love at 70 years old.

63
00:12:14,300 --> 00:12:18,300
After spending their entire lives not being 
to love each other.

64
00:12:18,400 --> 00:12:24,700
And when I met them and saw them so happy, 
so old, and finally being able to be themselves

65
00:12:24,800 --> 00:12:29,600
and to love in their own way in a world that 
accepts them more and more every day.

66
00:12:29,700 --> 00:12:33,100
I was dying of love and I was dying of beauty,

67
00:12:33,200 --> 00:12:36,600
and there was so much beauty that, in the 
end,

68
00:12:36,700 --> 00:12:41,500
the way to define it was to invent the term 
ultrabelleza (ultrabeauty).

69
00:12:41,600 --> 00:12:45,600
And to say that I am ultra-beautiful, that 
I'm much more than just beauty.

70
00:12:45,700 --> 00:12:49,800
I am something that transcends

71
00:12:49,900 --> 00:12:54,700
that I hope will remain forever, that it 
will be perpetual.

72
00:12:54,800 --> 00:12:57,800
And that's how the concept of [the album] 
Ultrabelleza came about.

73
00:12:57,900 --> 00:13:04,000
That was like the sun in the solar system: 
Ultrabelleza.

74
00:13:04,100 --> 00:13:08,900
And each song was like a planet orbiting 
around it.

75
00:13:10,400 --> 00:13:15,000
So each song is different from the others 
because ultrabelleza is

76
00:13:15,100 --> 00:13:19,900
the celebration of diversity and that everyone 
knows that

77
00:13:20,000 --> 00:13:24,800
no matter where you come from, how you feel, 
how you love, what color you skin is,

78
00:13:24,900 --> 00:13:29,700
that there is nothing wrong with you — that 
you are worthy.

79
00:13:29,800 --> 00:13:37,000
So I molded that idea until it became compact 
and the planets could orbit around it.

80
00:13:37,100 --> 00:13:41,900
Each song was different from the others, 
different natures, different sounds,

81
00:13:42,000 --> 00:13:45,400
different color palettes, different identities,

82
00:13:45,500 --> 00:13:50,300
but all coexisted perfectly in the same solar 
system

83
00:13:50,400 --> 00:13:55,200
and were part of a single thing, which is 
[the album] Ultrabelleza.

84
00:14:18,000 --> 00:14:22,100
The first song I'm going to sing is called 
Juramento (Oath).

85
00:14:22,200 --> 00:14:27,000
And I wrote it while sitting on the Sacromonte 
looking towards the Alhambra (in Granada, 
Spain),

86
00:14:27,100 --> 00:14:29,500
listening to Kendrick Lamar.

87
00:14:29,600 --> 00:14:35,300
And I came up with the idea that maybe Fifty 
Cent was strolling with his girlfriend

88
00:14:35,400 --> 00:14:41,300
through the gardens of the Alhambra and proposing 
to her, asking her for an eternal love oath.

89
00:14:41,400 --> 00:14:43,900
So the next day I went to the studio.

90
00:14:44,000 --> 00:14:48,100
and I tried to reflect on this idea and shape 
it to sound like this.

91
00:14:48,200 --> 00:14:53,000
Hopefully Fifty Cent hears the song sometime.

92
00:15:15,100 --> 00:15:19,000
The second song I'm going to sing is called 
Aprendiendo a volar (Learning to Fly)

93
00:15:19,100 --> 00:15:22,100
and it talks about how I'm learning to fly,

94
00:15:22,200 --> 00:15:27,900
that I've already taken flight to be able 
to reach you, even if it's just for a moment 
when I claim the sky from you.

95
00:15:28,000 --> 00:15:37,400
And that's how I feel on my tour here, in 
the USA, sharing for the first time with 
American audiences.

96
00:15:38,100 --> 00:15:42,300
These songs that make me fly

97
00:15:42,400 --> 00:15:47,200
and I want everyone to fly with me and for 
us to have a great time

98
00:15:47,300 --> 00:15:52,100
and let ourselves be carried away by pure 
emotions every time we're on stage.

99
00:15:52,200 --> 00:15:57,000
So there I was, learning to fly.

100
00:16:06,400 --> 00:16:13,400
Well, I want to share my joy with you because 
I'm really excited to be here and feel so 
welcome.

101
00:16:13,500 --> 00:16:19,100
I think Andalusia is a land that welcomes, 
but so does the US.

102
00:16:19,200 --> 00:16:24,600
So thank you for having me here. It's a real 
pleasure and an honor.

