Information

Psychic Vision Jaganrei - Filme de terror japonês. Legendas automáticas PT-BR.

Basic shortcuts

Ctrl + SSave subtitles
Ctrl + click
Double click
Edit highlighted caption
TabEdit next caption
Shift + TabEdit previous caption
EscLeave edit mode
Ctrl + SpacePlay / pause video
Ctrl + HomePlay selected caption
Ctrl + EnterSplit caption at cursor position
at current time

Advanced shortcuts

Ctrl + InsertAdd new caption
Ctrl + DeleteDelete selected caption
Ctrl + IEdit currently played segment
Shift + EnterNew line when editing
Ctrl + LeftPlay from -1s
Ctrl + RightPlay from +1s
Alt + LeftShift caption start time -0.1s
Alt + RightShift caption start time +0.1s
Alt + DownShift caption end time -0.1s
Alt + UpShift caption end time +0.1s

Annotation shortcuts

Ctrl + 1Hesitation
Ctrl + 2Speaker noise
Ctrl + 3Background noise
Ctrl + 4Unknown word
Ctrl + 5Wrong segment
Ctrl + 6Crosstalk segment
You are in the read-only mode. Close
00:08.0
00:08.4
Yes
00:08.5
00:12.6
It started with nudity...
00:12.7
00:13.0
Tonight's
00:13.1
00:17.3
Report is from that popular video gal!
00:17.4
00:19.9
A little interview with the very happy cameraman
00:20.0
00:25.0
who is staring at Yuka's beautiful nudes.
00:27.9
00:28.3
Excuse me...
00:39.2
00:44.7
A folksy atmosphere, reasonable prices, Tasty food and...
00:48.0
00:51.0
Delicious sake is the best.
00:51.1
00:54.1
Visit Mr. Norihei Akasaka Misuji
00:55.1
00:58.3
I'm really sorry to interrupt your hospitalization
00:59.8
01:02.4
but how is your injury?
01:02.6
01:09.0
The stitches have been removed, and will be discharged in a week.
01:09.1
01:13.9
I'm sorry, but I still have a few questions...
01:14.0
01:16.8
I'm sorry to bother you, but I'd like to ask you about the time that happened.
01:17.5
01:21.3
I told you the other day that I'm not in a position to answer your question yet.
01:22.3
01:25.1
So, if what you're expecting is a statement...
01:25.2
01:33.4
I'm not sure if it was a spiritual phenomenon or not.
01:33.7
01:40.0
I'm not sure if I'm ready to answer that question yet.
01:40.1
01:42.2
I will tell you when the time is right.
01:42.9
01:47.3
Yes, i understand that well, But could you Please give me a little answer?
01:49.7
01:57.1
This is a reconstruction based on a documentary covarage tape from a tv channel.
02:01.3
02:06.2
Yes! 1,2,3...
02:06.9
02:10.2
I'm waiting for the structure that creates idols as an industry....
02:10.3
02:10.9
Wait a minute, please.
02:15.1
02:18.0
We are waiting for the structure that will allow us to create idols as an industry.
02:18.1
02:22.9
Idols as an overtime job, and in the course of producing them, we will add value to the idols themselves... Sorry
02:30.6
02:38.1
Initially, this was a plan to follow an idol campaign project. However, the program was never broadcast.
02:48.0
02:53.8
Mr. Kani, I'm sorry, but I heard that you've put together a project for a media strategy using idols
02:53.9
02:55.3
and I was wondering if you could tell me what that is?
02:55.4
03:00.2
I'm just doing my routine work of working with idols.
03:00.3
03:11.5
Since it's a product campaign and a project promotion at the same time, we can expect a wide range of effects.
03:15.1
03:20.0
I'm going to leave it here from overseas, so you'll have to wait and see.
03:42.0
03:43.0
Good morning!
03:46.3
03:49.8
And now that you're all here, we've had an impromptu meeting the other day.
03:49.9
03:58.2
This is Emi Kato's campaign. We're going to be working on a more concrete concept for the project
03:58.3
03:59.1
And we're hoping to get it to that point today.
03:59.2
04:09.4
I'm thinking about it, but it's a little bit sudden, so I'd like to ask Ms. Umehara to explain the details.
04:09.5
04:24.1
I'm sorry for the inconvenience this may cause you, but I'm going to leave the music to Mr. Yamagishi.
04:24.2
04:25.6
We've already reached a consensus on the client, and it's a very good thing for Emi.
04:26.7
04:31.8
But yes, idols are idols, and I think we've been unable to clearly define what we mean by idols
04:32.9
04:42.1
We would like to push the character a little more, but we are not sure how much we can do
04:42.2
04:49.8
We'd like to make the costumes more creative rather than just cute
04:50.1
04:55.2
If we're going to make some changes to the costumes, then I'd like to do something different from the past ones.
04:56.1
04:58.7
I'd like to make a big effort so we don't lose the cuteness of Emi's image.
05:01.1
05:05.1
I want to go back to the basics and make her bigger
05:07.1
05:10.1
She still has a lot of potential, and she's a talented person
05:10.2
05:25.1
I'd like to get back to the basics so we can work harder
05:29.4
05:32.4
The song is called "Lovecraft.
06:29.6
06:38.2
Well, the concept with the makers hasn't changed, but I think it's a little too adult for this director
06:39.1
06:43.1
I'm quite motivated by the interesting eyes
06:43.2
06:48.0
But you know what they say, I've been writing lyrics for a while now
06:48.1
06:52.9
It's a little different from what I've written before, so it's challenging
06:53.0
06:57.8
I don't know if I can match it, but, you know, your thing, your arrangement...
06:57.9
07:06.1
I'm thinking of going with the Minneapolis style
07:06.2
07:06.8
huh?
07:06.9
07:07.0
Minneapolis
07:16.0
07:18.8
I'm sorry, I'd like to ask you a few questions, are you happy to hear more?
07:23.8
07:28.6
I heard that you are the author of Emi's song this time.
07:29.5
07:33.5
How does this relate to the campaign itself?
07:33.6
07:43.9
We needed to understand the nature of the product, and the agency's copywriters had to come up with a number of ideas for the product.
07:44.0
07:48.8
The agency's copywriters would come to us with a number of suggestions, and we would make our selections in the form of proposals.
07:51.1
07:58.0
To put it simply, first of all, it's our job to develop Emi's image
07:58.1
08:04.2
So, how is the songwriting process going to go, since we're composing the music first and the lyrics later?
08:05.0
08:12.0
Well, it happens quite often, and I don't think there's anything wrong with it.
08:12.5
08:16.9
Is it okay don't have a meeting with the person who wrote the music?
08:17.0
08:21.8
I think it's fine if you don't have a meeting with the person who composed the music.
08:21.9
08:31.1
As Mr. Yamagishi mentioned earlier, we can't clearly say who composed the music, so this is also a bit of a problem.
08:34.1
08:43.0
I've been making my debut for two years now, and this will be my fourth single.
08:43.1
08:49.4
Every time I release a new song, I go to a record store and say hello.
08:49.5
08:54.3
And they put up posters and stuff like that.
08:54.4
09:16.0
When I'm there, they play my songs and stuff, but as soon as I go, they put other people's songs.
09:16.1
09:20.9
Emi is currently undergoing voice training.
09:37.9
09:40.0
Shuichi Honda - Voice trainer
10:18.0
10:25.2
Emi is currently undergoing voice training, and she's going to use her voice in a different way for this new song.
10:25.3
10:30.1
So she's working on the basics of voice development.
10:33.3
10:36.2
Let's talk to Mr. Honda, our voice trainer.
10:37.1
10:44.6
In Emi's case, it's been one year since her debut,but she's been working on her lyrics ever since her debut.
10:44.7
10:52.0
I think that most of the students who come to us are newcomers.
10:52.1
10:59.9
She's working very hard on her singing.
11:00.5
11:14.0
There are all kinds of people, but for example, I hate to say this, but there are rock singers and people who sing in their own style
11:15.1
11:21.1
There are people who sing three or four songs in a row, you know.
11:21.2
11:27.7
If you sing three or four songs in a row, your throat cracks, and you lose your voice, or something like that.
11:27.8
11:31.2
In her case, she still has a long way to go. She has a throat that can grow more and more
11:31.3
11:35.4
She's been working hard on her voice training.
11:39.0
11:40.3
So, good luck with your voice training.
11:56.5
12:04.7
This is where Mr.Aida, the arranger of Emi's new song, is working, and I'd like to talk to him for a moment.
12:04.8
12:09.6
I'm sorry to interrupt your work, but what are you working on right now?
12:09.7
12:11.6
we're working on Emi Kato's song
12:11.7
12:16.5
Karaoke? but...I don't see anyone in the band
12:17.3
12:21.4
The computer memorizes the sounds you play and arranges them to make a song.
12:21.5
12:26.3
The music has a little bit of a strange melody, you know?
12:26.4
12:41.1
I'm going to make a modern rhythm to match Emi Kato's character.
12:42.7
12:45.8
Who composed this song? I haven't heard it.
12:45.9
12:57.5
This is something that Yamagishi has it for a long time.
12:57.6
13:02.4
I'll ask him about it.
13:16.0
13:20.0
The Jacket photo was taken at a photo studio in Roppongi
13:23.7
13:29.0
Okay, here we go, open up, here we go, one more time, okay.
13:31.2
13:33.9
OK, here we go.
14:20.5
14:25.3
The shooting of this day was decided to be retaken at another date due the cameraman's mistake
14:26.7
14:34.8
I was wondering if you could tell me about Emi Kato's jacket photo shoot, and how the first sentence she wrote was all rejected?
14:40.5
14:42.5
I'm not sure if that's what you mean or not.
14:43.6
14:44.8
Photo assistant - Nakai (pseudonym)
14:44.9
14:49.7
You see the white shadow on the left back of Emi's left side?
14:49.8
14:54.6
I think the photographer must have been in a hurry and got impatient
14:58.4
15:04.1
I think if you look closely at this one, you can still see in the back of the picture.
15:04.2
15:05.2
Movie/music personality - Kuro
15:05.3
15:10.1
The baby in the back of the photo looks like a ghost. On the mother's face there's with a sad expression
15:10.2
15:15.0
Well, in a ghost photo, if you look at a tree trunk, you can see a person's face screaming
15:15.1
15:19.9
Or if you look at a stain, it looks like something, depending on how you look at it
15:20.0
15:24.8
It's the way the person perceives it, but this is a baby. and the mother is holding her baby like this.
15:24.9
15:29.7
There are a lot of scary and unexplained stories out there.
15:29.8
15:39.5
My pores are standing up, very scary moment. Believe it or not, it's your choice.
16:32.8
16:35.6
Emi, I'm going one more time.
17:26.0
17:31.7
Hey, Hey. Emi, behind you!
17:41.1
17:44.5
What's wrong with you?
18:02.4
18:07.7
Thank you very much, thank you for your time! How do you feel now that you're done singing?
18:07.8
18:11.2
It's not so bad. It's an interesting song.
18:11.3
18:16.1
I like this song very much because the lyricist is a woman, right?
18:16.2
18:24.3
The lyrics are written by a woman, so it's very cute and expresses a girl's feelings very well.
18:31.2
18:36.6
The mix-down process of the recorded songs is now underway.
18:36.7
18:39.1
The songs and performances that were recorded separately are now being put together.
18:39.2
18:44.0
I hear a strange sound in the chorus, so I'm going to try to change it back a little bit.
19:20.5
19:22.6
Stop it!
19:33.5
19:34.5
Telephone interview with Mr.Kasai
19:34.6
19:39.4
So we're going to continue with the interview, and we look forward to working with you, and we'd love to interview the composer as well,
19:41.5
19:44.3
I'm not in contact with the composer yet
19:44.4
19:46.3
June,7, 1988. 4:00 P.m
19:46.4
19:51.2
I'd like to introduce you to the composer of the song.
19:51.3
19:56.1
Well, a few years ago, our label had an open call for songs in a magazine. I think she came to us at that time.
19:56.2
20:01.0
I think it was an honorable mention, but I liked it. and since it was urgent, we thought we'd could it.
20:01.1
20:02.6
The composer of "Lovecraft" is unknown. Was. The interview staff raised the suspicion to Mr.Kasai
20:02.7
20:07.5
I'll let you know when I hear from them.
20:20.1
20:25.8
This is the magazine that announced the contest in which the original "Lovecraft" song was submitted.
20:25.9
20:30.7
But I couldn't find the song anywhere in the magazine.
20:31.7
20:36.2
So, there seems to be a lot of mystery surrounding this campaign project, and that's why we're trying to figure out what's going on.
20:37.1
20:47.3
So we decided to deviate from our original theme and pursue the idols of the entertainment industry from a slightly different perspective.
20:58.8
21:01.1
Good morning, I've just decided on the version of the promotion
21:01.2
21:06.0
I think it's more important to have a visual strategy, right? I wonder if it's inspired by the lyrics of Mr. Awashima's song.
21:06.1
21:17.4
Of course there's that, and then there's the fact that we didn't take the time to boil it all down, you know.
21:29.5
21:38.5
So here is the issue that Mr.Yamagishi mentioned the other day, but I can't find the song that corresponds to it anywhere in this issue
21:38.9
21:44.2
No, no, I'm sure that song was submitted for this issue.
21:48.0
21:52.1
Kasai did not give a clear answer
21:53.5
22:00.0
And the idol industry itself, in that sense, is also very much about the mass production of more and more idols, and the money that goes with it.
22:00.1
22:01.7
Terumi Yoshida - Personality
22:01.8
22:06.6
If we just mass-produce more and more idols and make more and more money, it's going to be difficult.
22:06.7
22:11.5
I think we are approaching a difficult point.
22:11.6
22:16.4
I think it's a little bit out of the question, but, you know, in the past, there have been some award-winning works by singer-songwriters
22:16.5
22:21.3
And then there was also the story that a certain work was taken from a famous person, or plagiarized, or something like that.
22:21.4
22:26.2
I'm not sure how many people in the industry are unaware of such things, even though I'm in the industry myself.
22:26.3
22:50.0
I have a feeling that there are some strange things in the idol industry that even people in the industry are surprised by.
23:00.4
23:04.0
I would like to ask you if you know anything about,,,
23:04.1
23:08.9
I'd love to hear from you.
23:31.5
23:33.8
Hi,Hello who is it?
23:33.9
23:36.7
This is Sawaki.
23:37.1
23:40.3
Telephone interview with Mr.Yamagishi
23:40.4
23:45.2
Thank you very much. I'd like to talk with the composer of Emi's new song.
23:45.3
23:50.1
23:50.2
23:52.5
June 15, 1988. 10:00 p.m
23:52.6
23:57.4
I'm wondering if you know anything about this, Mr.Yamagishi
23:59.6
24:01.5
After negociations, director Yamagishi, sem to have changed his mind to say something.
24:02.8
24:12.3
Okay, tomorrow at 6:00 p.m. I'll be at the studio in Oizumi, so I'll see you there in the parking lot.
24:32.7
24:33.0
I'll call you later.
24:34.6
24:37.9
I'll be in touch with you later
25:16.3
25:20.1
Director Yamagishi's death was treated as an accident due to a car defect
25:24.9
25:31.8
What the interview staff was handed by director Yamagishi was a VHS tape.
25:37.6
25:39.3
The tape Mr.Yamagishi handed over to the interview staff
25:39.4
25:44.2
and what this all means remains unknown to this day
25:44.3
25:49.1
However a man's voice can be faintly heard
25:51.2
25:54.0
Here, don't be shy, don't look at me.
25:54.1
25:57.0
It is certain that it belongs to Mr.Kasai
26:01.0
26:07.0
Interviews with Mr.Kasai were done several times. In them strange identical events were recorded.
26:19.2
26:23.1
Look, there's a woman in the picture here.
26:27.3
26:30.6
And here, you see the woman
26:45.6
26:48.3
And then there's more.
27:07.1
27:09.2
Don't tell me that's the composer.
27:12.1
27:16.0
The interview staff was finally able to locate the composer of "Lovecraft"
27:17.6
27:24.0
However, she commited suicide seven years ago.
27:28.7
27:31.0
Ogikubo, Tokyo
27:42.2
27:48.1
The composer of the original song jumped off this spot seven years ago and killed herself.
27:48.2
27:55.4
I wonder why producer Kawanishi decided to use her song now.
28:10.0
28:24.4
The interview staff obtained a demo tape that seems to be the original "Lovecraft"
28:40.0
28:45.2
Hi, I'm Emi Kato, and I'm about to shoot my promotional video
28:45.3
28:52.9
I've changed my image and I'm going to be more mature and more broad-minded.
28:53.0
29:03.4
I'm going to do my best to become a more mature and cool idol.
29:09.1
29:16.1
And please also check out my new song "Lovecraft"!
30:17.1
30:19.4
Okay, so it's on the far right, it's on the far left, it's set up on the left.
32:06.6
32:12.5
Behind me right now, there's a rehearsal going on for Emi Kato's promotional video today.
32:12.6
32:17.4
The video, which will be shot and available for sale, is part of a larger media strategy for this campaign project.
34:01.3
34:04.9
Wait a minute, Kyoko
34:44.3
34:45.4
Light!
38:02.6
38:07.2
After this, the reporter Kyoko Sawaki was hospitalized for a month.
38:08.2
38:13.2
I noticed a strange image on the videotape. It's an aimless edit.
38:17.7
38:28.0
There's no evidence that it was put in the camera and when you play it...
38:34.3
38:38.6
A voice was recorded with noise for the first 6 minutes
38:42.9
38:47.5
For the next 14 minutes, intermittent but incomprehensible images were recorded.
38:49.8
38:55.4
The following scene is a re-edited version of this strange image added to the footage shot by the interview staff.
40:11.3
40:13.8
Help...me
40:52.8
40:56.5
Why didn't you tell the management that you were pregnant?
40:56.6
41:01.4
All this stuff, all these things you do to say hello to me, it's not impressive.
41:04.6
41:06.3
Sure, sure, that song is yours,I know it.
41:06.4
41:11.2
Your child is not under your control.
41:14.3
41:27.3
Go quietly, quietly, quietly to home
41:41.9
41:46.4
Whose point of view was this?
42:49.3
42:59.3
JAGANREI
44:29.3
44:30.5
I'm Haruo Mizuno.
44:30.6
44:35.4
I work in various fields on the picture industry, and even in the film industry, I've heard of all kinds of psychic phenomena
44:35.5
44:37.0
Haruo Mizuno - Film critic
44:37.1
44:43.9
I'm not saying that I've experienced them myself, but... there's a movie called Poltergeist, and they're currently making the third movie in the series.
44:44.0
44:48.8
There is a legend that every time they make a new film, people involved in it die, and the cause of their death is unknown.
44:48.9
44:54.9
I'm very sorry to say this from my own experience, but I've been talking about Hollywood for more than ten years now.
44:55.0
45:02.0
I was in Hollywood for the first time more than 10 years ago, and I happened to stay at a hotel in the area where all the Hollywood studios are located.
45:02.1
45:08.3
I was very tired in Los Angeles, So I decided to find a place where I could walk to the studio.
45:08.4
45:14.5
I found a small hotel on the far side of Hollywood Street.
45:14.6
45:21.3
I was resting there and in the middle of the night, I heard lot of noise, a lot of noise, and I was wondering what it was.
45:21.4
45:27.4
I opened the curtains to see if there was some strange car driving by, and found that there were no cars on the road. it's not a street where cars go.
45:27.5
45:35.1
I turned on the TV to see if there might be some confidence or other reports of such things, too. but there was no such report.
45:35.2
45:39.3
I thought it was weird... and then I went back to sleep.
45:39.4
45:51.5
I went to a studio the next day and was shown around the place. I saw a man who had a very good reputation the and I asked him why they don't shoot movies there.
45:51.6
45:56.4
And he told me that whenever they shoot a movie here, some kind of accident always happens, and that's why they hardly use it.
45:56.5
46:05.3
I heard that there is a cemetery behind the studio, where famous stars and famous people in the movie industry are buried.
46:05.4
46:13.4
I had the impression at the time that the stage was built on top of it.
46:13.5
46:20.6
So, looking back, I wonder if what I experienced last night was a poltergeist phenomenon.
46:20.7
46:27.4
And I was horrified once again.
46:27.5
46:34.3
I myself am a very strong believer in such things. I was surprised at the first time I had such an experience.
46:34.4
47:01.4
I was surprised that there were no strong example of such an attack, but I was working at the cutting edge of science in film, and at the same time I was working on the periphery.
47:01.5
47:32.7
I am reminded of the fact that there are many things that cannot be explained in the world of film
47:41.2
47:43.2
Good afternoon.
47:43.3
47:48.1
Subs by: Fernando Menegatti