1
00:00:02,600 --> 00:00:04,700
Alright, 50 bucks says I kick Bobby's ass.

2
00:00:04,900 --> 00:00:06,200
Hey, you tryin' to hustle me, Russo?

3
00:00:06,500 --> 00:00:08,100
Shut up and break 'em, will ya?

4
00:00:08,600 --> 00:00:10,100
I'll break you first. How 'bout that.

5
00:00:10,700 --> 00:00:12,700
Hey, easy, boys. I'll take all your money 
by the end of the night.

6
00:00:12,900 --> 00:00:14,600
Just let me play my song first.

7
00:00:15,300 --> 00:00:17,500
♪ ♪

8
00:00:17,600 --> 00:00:20,200
♪ I got my driver's license last week ♪

9
00:00:21,000 --> 00:00:23,800
Alright. Nine-ball. Corner pocket. Watch 
me.

10
00:00:24,300 --> 00:00:27,100
♪ 'Cause you were so excited for me ♪

11
00:00:27,500 --> 00:00:28,100
♪ To finally— ♪

12
00:00:28,200 --> 00:00:29,700
Wait, what am I listening to?

13
00:00:30,800 --> 00:00:32,800
"drivers license" by Olivia Rodrigo, man.

14
00:00:34,600 --> 00:00:37,700
Sounds like it's just some teen girl singing 
in her room to the piano.

15
00:00:37,900 --> 00:00:39,700
And that's the beauty of it. You got a problem?

16
00:00:40,800 --> 00:00:41,500
♪ And you're probably—♪

17
00:00:41,600 --> 00:00:44,900
So, what's this song, like, even about, even?

18
00:00:45,200 --> 00:00:47,100
Guess it's about a girl gettin' her driver's 
license,

19
00:00:47,300 --> 00:00:48,800
but it's bittersweet because

20
00:00:49,300 --> 00:00:51,600
it's somethin' she and her ex always talked 
about.

21
00:00:51,700 --> 00:00:54,400
That's what I guess, based on hearing it 
for the first time right now.

22
00:00:55,400 --> 00:00:58,200
Yeah, sure, sure, sure. I mean, if you want 
to get all literal, but uh,

23
00:00:58,300 --> 00:01:00,400
I mean, I think I overheard on the news or 
somethin' that

24
00:01:00,500 --> 00:01:02,600
it's actually about the kids from 'High School 
Musical?" I don't know.

25
00:01:02,800 --> 00:01:03,300
Oh, who?

26
00:01:03,500 --> 00:01:05,400
Uh, Vanessa Hudgens? Zac Efron? Sharpay?

27
00:01:05,500 --> 00:01:06,300
That whole crew?

28
00:01:06,500 --> 00:01:08,600
No, man. 'High School Musical,' The Series.

29
00:01:09,200 --> 00:01:12,500
Olivia wrote it about Joshua Bassett who's 
allegedly now with Sabrina Carpenter.

30
00:01:12,700 --> 00:01:13,700
Listen, man.

31
00:01:13,900 --> 00:01:19,900
♪ And I just can't imagine how you could 
be so okay ♪

32
00:01:20,100 --> 00:01:23,100
♪ Now that I'm gone ♪

33
00:01:23,300 --> 00:01:24,600
She's got a healthy belt.

34
00:01:24,800 --> 00:01:29,100
♪ Guess you didn't mean what you wrote in 
that song about me ♪

35
00:01:30,400 --> 00:01:31,900
♪ 'Cause you said forever ♪

36
00:01:32,100 --> 00:01:35,600
♪ Now, I drive alone past your street ♪

37
00:01:36,000 --> 00:01:37,900
OK! So, I'm not the only one.

38
00:01:38,100 --> 00:01:39,100
♪ And all my friends— ♪

39
00:01:39,300 --> 00:01:40,900
It's like she ripped a page out of my diary.

40
00:01:41,100 --> 00:01:41,700
I mean, notebook.

41
00:01:41,800 --> 00:01:43,000
I mean, plain brown leather.

42
00:01:43,200 --> 00:01:44,600
I can't read or write.

43
00:01:44,700 --> 00:01:45,900
[As elderly Italian gentleman]

44
00:01:46,100 --> 00:01:49,200
I got my driver's license 55 years ago.

45
00:01:50,300 --> 00:01:52,000
Why is this hitting me so hard?

46
00:01:52,900 --> 00:01:55,900
Okay, look. I don't wanna say nothin' too 
controversial, you know, but

47
00:01:56,100 --> 00:01:57,700
this is giving me Billie Eilish vibes.

48
00:01:57,900 --> 00:01:58,500
Yeah, yeah, yeah, yeah.

49
00:01:58,700 --> 00:02:00,200
But the verses are, sorry to say,

50
00:02:00,600 --> 00:02:01,400
Taylor?

51
00:02:01,500 --> 00:02:02,600
I mean, obviously it's Taylor Swift.

52
00:02:02,700 --> 00:02:03,600
Taylor is the rule.

53
00:02:04,100 --> 00:02:05,900
But it's also pure Olivia, man.

54
00:02:08,200 --> 00:02:09,100
[crying] It's pure.

55
00:02:09,600 --> 00:02:10,500
That's for sure.

56
00:02:11,200 --> 00:02:11,800
Woah.

57
00:02:11,900 --> 00:02:13,000
Dude, are you crying?

58
00:02:13,400 --> 00:02:14,300
Nah, it's just.

59
00:02:15,000 --> 00:02:17,400
Well, it's got me thinking about my breakup, 
like,

60
00:02:17,800 --> 00:02:19,400
maybe I'm Olivia,

61
00:02:19,600 --> 00:02:22,400
my bitch ex Gina is Joshua Bassett.

62
00:02:23,100 --> 00:02:24,700
And Sabrina Carpenter, like,

63
00:02:25,000 --> 00:02:27,800
that's that bastard, Enzo, from the garage.

64
00:02:28,000 --> 00:02:28,700
Hey, yo, bro.

65
00:02:28,800 --> 00:02:31,100
If Olivia's taught us anything, it's that 
pain

66
00:02:31,300 --> 00:02:33,100
can be creatively generative, man.

67
00:02:33,600 --> 00:02:36,700
Yeah. Like, remember when I lost 50 Gs on 
the Giants.

68
00:02:37,300 --> 00:02:38,100
That gave me, like,

69
00:02:38,300 --> 00:02:39,300
half my poems.

70
00:02:40,100 --> 00:02:41,600
I said it once; I'll say it again:

71
00:02:41,800 --> 00:02:42,600
Taylor.

72
00:02:42,700 --> 00:02:46,500
Yeah, but Taylor's shifted away from the 
autobographical and now she's in the pocket 
creatively.

73
00:02:46,900 --> 00:02:47,800
Look at 'folklore,' man.

74
00:02:47,900 --> 00:02:49,700
Ultimately, she's a freakin' storyteller.

75
00:02:49,900 --> 00:02:52,500
Yeah, but I still feel it's Taylor. You got 
a problem?

76
00:02:52,600 --> 00:02:55,000
With you being purposefully reductive, yeah, 
I got a problem.

77
00:02:55,200 --> 00:02:56,600
[yells, shouts]

78
00:02:56,900 --> 00:02:57,700
Boys!

79
00:02:58,200 --> 00:02:59,900
Open your hearts and listen.

80
00:03:00,900 --> 00:03:03,100
We're about to get the bridge of our lives.

81
00:03:04,300 --> 00:03:07,200
♪ Red lights, stop signs ♪

82
00:03:07,600 --> 00:03:10,100
♪ I still see your face ♪

83
00:03:10,300 --> 00:03:12,100
♪ In the white cars ♪

84
00:03:12,500 --> 00:03:13,800
♪ Front yards ♪

85
00:03:14,300 --> 00:03:16,900
♪ Can't drive past the places ♪

86
00:03:17,200 --> 00:03:18,600
♪ We used to ♪

87
00:03:19,200 --> 00:03:20,300
♪ Go to ♪

88
00:03:20,900 --> 00:03:25,500
♪ 'Cause I still freakin' love you, Gina 
♪

89
00:03:27,100 --> 00:03:28,500
It's alright. It's alright, bud.

90
00:03:28,600 --> 00:03:29,100
Let it out.

91
00:03:29,200 --> 00:03:30,800
We're here for you. We're here for you.

92
00:03:31,300 --> 00:03:33,400
I need to hear that freakin' bridge again.

93
00:03:33,600 --> 00:03:35,800
[cheers]

94
00:03:36,300 --> 00:03:37,700
♪ Stop signs ♪

95
00:03:38,000 --> 00:03:40,400
♪ I still see your face ♪

96
00:03:40,700 --> 00:03:42,700
♪ In the white cars ♪