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New York is one of the capitals of the jazz 
world. Ferenc Németh conquered this world 
with drums.

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He has been a staple in the New York jazz 
life for over 20 years both as a musician 
and composer. Here he is rehearsing with 
his band in Manhattan.

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The famous Hungarian musician comes from 
a small village with a population of only 
1000, Zalacsány.

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He was born into a musical family, his father 
was a drummer as well.

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My parents tell the story of how I drummed 
as a 2-year-old. Moreover, my mother said 
we needed to take the drumsticks with me 
to daycare.

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One day, when we’d forgotten them, I cried 
until my father went home to get them for 
me.

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Drumming has always been there for me because 
of my father. This is our secret connection. 
A language only we spoke.

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I loved to go to those weddings and parties 
where my dad had been taking me.

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On Friday or Saturday afternoons, the car 
would often require cleaning, and there was 
one condition for me to join my dad: I had 
to help with the task.

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His musical studies began in Zalaapáti and 
Zalaegerszeg at the music school. From there 
he proceeded to the Music High School in 
Győr.

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I was around 15-16 when I got a taste of 
jazz. Even though it has a structure, it 
carries a freedom where a person can truly 
express themselves.

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I got accepted at the age of 18 to the jazz 
department of Liszt Academy.

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While I was finishing my studies there, I 
also applied to Berklee Music Boston, where 
I received a scholarship. That's how I went 
to Boston at the age of 22.

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I applied to the New England Conservatory 
and spent a year there in the master's program.

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During that time, I also got accepted into 
the Thelonious Monk Institute.

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Every 2 years they gather a band together 
from all over the world. When I was there, 
the band had 7 members.

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This is where I met Herbie Hancock, Wayne 
Shorter, Terence Blanchard, Ron Carter, John 
Scofield and Dave Holland.

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Met so many musicians there whom I later 
played with.

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I finished in 2003 and moved to New York 
and have been there ever since.

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Nowadays, New York is the center of jazz, 
taking over from what was once New Orleans 
and Chicago. Modern jazz thrives in New York.

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The West Village is the area in New York 
with the biggest jazz clubs.

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We are currently standing in front of the 
Blue Note Jazz Club, where I have performed 
extensively.

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I love this area because almost all the acclaimed 
jazz clubs of the city are located here.

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A few blocks from here is the Village Vanguard, 
there's the Smalls, there used to be the 
Fat Cat, Mezzrow.

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I not only perform a lot in this area but 
also attend concerts here.

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Playing at the Blue Note didn't happen overnight; 
I started from one club to another or even 
played at restaurants.

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I played at many different venues and progressed 
step by step.

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Before Covid I toured 220-230 days a year, 
so I pretty much spent one week a month here 
during which I had 1-2 gigs.

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This routine has settled this way since.

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Joe's Pub is in this same area, where we 
are during a sound check for their concert 
this evening.

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He's playing in Emilio Solla and Antonio 
Lizana's Quartet, they even made an album 
together.

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Ferenc regularly plays in various bands (besides 
his own) alongside other well-known figures 
of the New York jazz scene.

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This music is a mix of Argentine folk music 
and flamenco with some jazz.

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I have been playing with Emilio for over 
15 years.

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2 years ago we won a Latin Grammy, which 
was kind of like winning the lottery.

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I play a lot with members of the jazz world, 
Seamus Blake, Chris Cheek, Joshua Redman, 
John Patitucci, Lionel Loueke etc.

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There are a lot of musicians who are iconic 
in this world.

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Although my music is not exclusively jazz, 
which is the common language here.

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On top of that, I have studied a wide variety 
of music from South-American to African music, 
I have also been to India 7 times.

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What interests other musicians about me is 
that I bring Hungarian folk elements into 
my music.

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I incorporate motives from Hungarian folk 
music into my music, particularly because 
I studied Bartók and Kodály, and their works 
have left a significant impression on me.

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When I write music, these influences instinctively 
come out.

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My album 'Freedom' was released in 2020, 
 I spent a good 6-8 months intensively studying 
Hungarian folk music and incorporating its 
elements into my compositions.

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The album is classified as jazz, but I must 
say there is definitely something unique 
about it that you cannot find elsewhere.

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Freedom won the Independent Music Awards 
in Jazz Album Category.

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His popularity is also proven by the fact 
that he is the face of  a major musical instrument 
company and many drum brands support him.

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Four years ago, I was contacted because I 
have an application called "Drum School" 
that is a drum learning tool that I developed.

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They are now promoting their electronic drum 
amplifiers with this app, which are made 
for electronic drums specifically.

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This is a huge honor.

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Within the application you can choose to 
learn left or right hand only, left or right 
foot, you can slow it down.

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It offers over 400 different grooves and 
styles, from Latin-American to drum and bass 
to rock and roll, all sorts.

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In its category, I would say it is the first 
app that actually teaches you how to play 
the drums.

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The youngest Ferenc Nemeth, who is now over 
a year old, is well on his way to becoming 
a talented and recognized drummer like his 
father.

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The tradition passes from father to son, 
Ferenc also took the first steps of drumming 
watching his father play.

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As you could see he had also been here on 
the sound check, he sat there, playing drums 
the whole time for 3 hours,

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It's something you can't teach, especially 
to such a young child.

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Ever since he was a few months old, he has 
sat in my lap while I played, watching and 
enjoying the music.

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I can see that he has the talent and quite 
a good technique for his age. It's a great 
feeling for a father.

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In addition to his talent and openness to 
possibilities, of course a lot of practice, 
has helped Ferenc as well,

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to become a recognized artist on his way 
from Zalacsány to New York.

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In my own band, I have the freedom to choose 
who I play with, where and when we play, 
and I write the music.

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Success comes from a lot of work on yourself. 
You definitely need the talent but you also 
need connections and opportunities.

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They say that success happens when preparation 
meets opportunity.

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If you are not prepared enough, even if you 
get opportunities, you won't be able to take 
full advantage of them.

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At the same time you can be the most prepared 
person if you sit at home don't put yourself 
out there, no one will know about you and 
you'll never get opportunities.

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You need a balance between these two.

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I practice all the time, listen to music. 
I learn new things all the time

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But at the same time I also go down to the 
clubs to meet new people, new and old musicians.

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Some days I practise an hour, some days I 
practise 3-4 hours but I practise every single 
day.

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If I don't sit down to the drums for even 
a day, then I don’t feel good.

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And sometimes my wife tells me; "Go practice, 
 I can see you’re not feeling well".

